![]() If possible, take pictures of the tack that is being used on the horse when you go to try the horse. ![]() When you try out the horse, ask the current owner and/or trainer as many questions as you can think of, including “What kind of bit does he or she prefer?” and “What size tree is this saddle?” This information will assist the sales staff in helping you find the appropriate tack for your horse. When you head off to the tack shop, it is important to be armed with as much information as possible. To learn more about caring for your tack after your purchase, we encourage you to read the article, TLC: Tack Love and Care. In this blog, we outline the basic tack and equipment that you will need to safely handle and ride your new horse, however, it is important to realize that your equipment will vary depending on your discipline. Generally, equestrians ride one of two different disciplines, Western (such as western pleasure, reining, horsemanship, or cutting) or English (dressage, hunter/jumper, and saddle seat are all considered English disciplines). In addition to buying your first horse (you can learn more about that process in our blog post, Purchasing Your First Horse) and potentially building a farm (learn more by reading, Bringing Your First Horse Home), you will also need to make an additional set of purchases for your horse. Because of its ingenious simplification of sculptural imagery, the Tobey design is instantly recognizable, and will remain so under Rebecca’s able hand.After taking lessons for a number of years, many equestrians are ready to begin their journey into horse ownership. The two had created a style of art that is unique and distinctive. In 2010 Rebecca returned to creating in ceramics for the first time in 15 years. Rebecca, devastated but strong, continues the legacy of their spirited work in memory of her late husband. He is a man who will be missed for the contributions that he made to the people around him by giving of his great heart as well as his talent. ![]() Unfortunately, Gene Tobey lost his battle with leukemia in 2006. One person takes a step and the other has to take a step to catch up.” In the 1990’s, the Tobeys began to work in bronze, continuing their tradition of stylized animals. It’s a blessing when two people work together, not compete but combine. I look at Rebecca’s work and feel privileged, not jealous. There’s always something new, and the experiment goes on. We’re dealing with our own aesthetic and having fun with it. In Gene’s words, “There are times I don’t like being called an artist because I don’t know the parameters of the term. Once he realized that Rebecca had moved firmly – and permanently – from a technician into an equally creative artist, Gene called his galleries and instructed them to change the credit to “Gene & Rebecca Tobey.” One or two delayed, resisting the idea of naming two people, but now the artistic marriage is etched into each piece. “I realized I needed new thoughts and different hands to make different pieces,” said Gene Tobey. Another was made for a show of fourteen pieces in Vail – and again it was the first to sell. I wanted a sharp, crisp finish.” Rebecca Tobey coated sections of two sculptures with clay slip. Glazes are chemicals that melt and bleed. “In summer of 1987 Gene Tobey had an opening at Presdon Gallery,” she recalls, “I wanted to use colored clay slips instead of glazes. Over the months, however, Rebecca Tobey slowly began to develop her own techniques and her own ideas about the kind of surfaces that would enhance the three-dimensional qualities of the sculptures. Rebecca Tobey did the glazing, imbuing the sculptures with color before the final firing. Then, using a steel stylus he engraved designs. Gene Tobey first made a mold of an animal and cut out sections to be superimposed on other parts of the animal. ![]() The sculptures in the mid-1980’s were an interesting combination of techniques. “She was my glaze technician,” Tobey explained, meaning the person who applies the glazes before firing. The collaboration began with Rebecca acting as assistant on Gene’s sculptures, which evolved from dishes and practical ceramics to stylized animals. ![]()
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